In this episode of The Cinema Psychos Show, your hosts Brian and John dive headfirst into the glorious, chaotic mess that is Street Fighter (1994) — a film that has earned its reputation as the ultimate “so bad it’s good” video game movie.
With a cocaine-fueled Jean-Claude Van Damme, a legendary, scene-chewing performance from the late, great Raul Julia, and a plot that proudly ignores its source material, Street Fighter is less a movie and more a cultural artifact of 90s madness.
The Most Awesomely Bad Video Game Movie Ever
Brian and John break down why this box office underperformer became a home video sensation. In this episode, we dive into:
- How Raul Julia’s iconic performance single-handedly elevates the entire film.
- The shocking behind-the-scenes chaos involving Jean-Claude Van Damme’s on-set behavior.
- Why the writer of Die Hard decided to avoid everything that made the game popular.
- Our favorite terribly amazing quotes, from “For me, it was Tuesday” to “Quick, change the channel!”
- Whether this is a fun-bad classic or just a straight-up disaster.
Of Course You Can’t Go Home

Set in the fictional nation of Shadaloo, the film follows Colonel Guile (Van Damme) as he leads a team of Allied Nations soldiers against the ruthless warlord M. Bison (Raul Julia), who is holding hostages for a $20 billion ransom. Thrown into the mix are fan favorites like Chun-Li, Ryu, Ken, and Blanka, though their video game powers are notably absent.
But this isn’t your average action movie. It’s a bizarre cocktail of G.I. Joe-style plotting, James Bond villainy, and Saturday morning cartoon logic, all filtered through the sensibilities of a director who famously didn’t want to “shoehorn elements from the game.”
Not Your Average Video Game Movie

From the moment Raul Julia graces the screen, you know Street Fighter is operating on a different level. The film is less about Hadoukens and flying kicks and more about… stealth boats, magnetic moon shoes, and a villain who prints his own face on money.
We also talk about the movie’s bonkers third act, where every character finally gets a two-minute vignette to resolve their storyline in a climax that feels like a nine-year-old’s toy box explosion.
Raul Julia Steals The Show

if not for Raul Julia’s sincere, over-the-top, and utterly delightful performance, this movie would be completely forgotten. He brings a gravitas and theatricality that transforms the film from a generic bad movie into a must-watch comedy. It’s a performance for the ages, made even more poignant knowing he did it for his children while battling the illness that would ultimately take his life.
It’s Die Hard meets G.I. Joe by way of a 90s arcade. And yes, the one-liners slap.
